This course explores how Mexican cinema, from its beginnings at end of the 19th century through 21st century production, has commented on and participated in major social and national processes such as the Mexican Revolution, the (re)construction of national identity, modernization, as well as the negotiation of changing conceptions of class, gender, and race. We will analyze canonical, landmark films as well as lesser-known works to explore how a variety of directors and genres have engaged the country’s national imaginary through time. As film is an industrial art form, we will examine the...

(CRN 51183) 4 credit hours    In this course students explore how a range of local regulatory agencies invoke international institutions in the governance of urban conflicts. Specifically, we will study and map how urban inhabitants mobilize narratives of international human rights to collectively reclaim collective forms of belonging and social citizenship. WHO Graduate and Undergraduate students interested in how international institutions (II) and universal narratives of human rights shape and are shaped by localized social justice movements in urban environments. WHAT...

- 3 credit hour This course will engage multidisciplinary and mixed level students from FAA in dialogs on participatory methods to bridge the campus community divides frustrating productive collaborations for sustainable design in Adjuntas, Puerto Rico. Upper-level undergraduate and graduate students will after six weeks of 3hr lectures and discussions travel, during Spring break, to directly engage local academics, artists, activists, and communities working with Casa Pueblo in municipality of Adjuntas, PR. We will study and build on the internationally recognized cross cultural work of...

Is one form of cinema more truthful than any other? Are realist styles any more ethical with regards to the depiction of marginalized populations? How and why has realism become an idiom of prestige for Latin American films on the festival circuit? For nearly a century, cinemas purporting to offer an alternative to entertainment films have attempted to situate themselves within a privileged relationship to realism in contradistinction to the notions of pleasure, distraction, and deception that critics have identified as inherent to the commercial movie industry. Taking as its point of...

  Explores cultural, political and historical processes in 20th- and 21st-century Central America--focusing on Costa Rica, Nicaragua, Honduras, El Salvador, and Guatemala--through an anthropological lens. Grapples with a core set of questions arising from changes in the global relations, including the rise of global neoliberalism, the crises and renovations of political projects, the transformations of spatial relations through transnational migration, and the proliferation of various pan-hemispheric as well as local identity-based movements. 3 undergraduate hours. 4 graduate hours....

ARCH 403: Special Topics in Arch History section CN (CRN 77318)  Counter-narratives of Architecture: Thinking Architectural History from/with the Americas and the Caribbean.  Thursdays, 9-11:30 AM, from 03/17/2025 through 05/07/2025.   Counter-Narratives of Architecture: Thinking Architectural History from/with the Americas and the Caribbean.  This course challenges the dominant narratives of modern architecture, which often overlook the impact of colonialism,...